Post by SueFB on Jun 28, 2014 6:31:21 GMT -5
Thought I'd create a thread for discussing live plays or musicals performed outside of Broadway, community theater, tours, etc. Many folks will never get a chance to go to Broadway but still feel connected to it by seeing nearby productions. I've never been a "theater person", but last year (inspired) I bought season tickets to a community theater in the resort town up the road from me. An excuse to go out and enjoy dinner and a show with my husband. We had so much fun last year that I renewed, and last night we went to the season's first production: [title of show].
I'd never heard of it, it's a musical about two guys writing a musical. Which reminded me, from the description, of The Drowsy Chaperone (seen last year) which is a musical about a musical within a musical. But the two couldn't be more different. Drowsy is full of big numbers and (intentional) kitsch while [title] has a sparse set and only four main cast members, backed by a piano. It actually translated really well to the small venue. It's hard for me to imagine it on Broadway (in 2008). It was at the Lyceum which I guess is pretty small for Broadway, still. Anyway, I was worried it might be too Broadway-insiderish for us and it did have a lot of esoteric references, but it was actually pretty great. We both enjoyed it a lot.
Surely one of the charms of the original show was that the performers were the actual writers, so it had a sort of "performance art" element to it. But the actors who played the parts here were quite good. The "Susan" character, and the actress who played her, stole the show. Kudos to all the people who have day jobs but still have the time and energy, and passion, to perform.
I'd never heard of it, it's a musical about two guys writing a musical. Which reminded me, from the description, of The Drowsy Chaperone (seen last year) which is a musical about a musical within a musical. But the two couldn't be more different. Drowsy is full of big numbers and (intentional) kitsch while [title] has a sparse set and only four main cast members, backed by a piano. It actually translated really well to the small venue. It's hard for me to imagine it on Broadway (in 2008). It was at the Lyceum which I guess is pretty small for Broadway, still. Anyway, I was worried it might be too Broadway-insiderish for us and it did have a lot of esoteric references, but it was actually pretty great. We both enjoyed it a lot.
Surely one of the charms of the original show was that the performers were the actual writers, so it had a sort of "performance art" element to it. But the actors who played the parts here were quite good. The "Susan" character, and the actress who played her, stole the show. Kudos to all the people who have day jobs but still have the time and energy, and passion, to perform.